Amazing Grace (Simplified) (Piano)

Amazing Grace piano sheet music, simplified for beginners: F major, one flat, three beats to the bar at a walking pace, seventeen bars, and a tune made of five notes. Click the sheet music to play it in your browser, with Chordzy marking every note as you press it.

The words are John Newton's, from 1772. The tune arrived some sixty years later from the American South, a strange marriage for a hymn that sounds as if it had always existed. You know how it should sound, and that is most of the battle. The job is not learning a tune. It is getting the one in your head to come out of the piano, and fewer notes means more meaning. Four phrases of four bars, four chords under them, and enough room in the writing to think about the sound rather than about where the fingers go.

The melody sits over a broken chord in F major, 3/4, 17 bars. That is the shape you need before you play a note.

Read the key first so you know which black keys are in play. Count the meter out loud. Then look at how many bars you actually have to learn.

Work through this tutorial in the order below. Fifteen minutes a day for a week is enough to get Amazing Grace under your hands if each chunk is actually learned.

Play it with the notes graded as you go, no account.

The key is F major: one flat (B♭). The notes are F G A B♭ C D E. Anything outside that list in the score is an accidental. Mark it.

The time signature is 3/4: 3 beats in every bar, and a quarter note gets one beat. Count that out loud before you play, and keep counting.

The score is 17 measures long. Number them in pencil. Starting at bar 9, when you need to, is the point of the numbers.

Set a tempo you can play the hardest bar at. The easy bars will feel slow. That is correct.

Split Amazing Grace into chunks of 4 bars and learn one chunk per session. A chunk you can play three times without a mistake is learned. A chunk you can nearly play is not.

Practice the last bar of one chunk and the first bar of the next as a chunk of their own. The joins are where it breaks.

Amazing Grace sits in F major. These are the chords that key is built from. Knowing them makes a slip easier to recover from, because you can hear where you are.

Play the melody in your right hand and just these chords in your left. The written left hand can wait. Hearing the harmony is the useful part.

Two hands on Amazing Grace are two problems. Solve them one at a time.

1. Right hand alone, slowly, until the chunk is clean three times.
2. Left hand alone, slowly. Give the broken-chord left hand more time than it feels like it needs.
3. Hands together at half the speed you managed separately. If it falls apart, go back to the weaker hand.
4. Speed up in small steps, only from a tempo where nothing goes wrong.

If a bar still will not lock, play the right hand and tap the left-hand rhythm on the piano lid. The problem is usually the rhythm.

Fifteen minutes a day for a week:

1. Day 1: the key and the first four bars of the tune, hands separately.
2. Day 2: chunk 1 hands together, chunk 2 hands separately.
3. Day 3: join chunks 1 and 2, then learn chunk 3.
4. Day 4: the second half, same routine.
5. Day 5: the joins, and only the joins.
6. Day 6: the whole piece, slowly, once. Mark the two bars that went worst.
7. Day 7: those two bars, then the whole piece at tempo.

Play Amazing Grace in Chordzy and it will mark which notes and timings were off.

Five notes carry the whole melody, F G A C D. B flat and E never appear in the right hand. That missing pair is what makes the tune pentatonic, the kind of scale a room full of strangers can sing in tune. The lyrics sit one syllable to a note, starting with a lone C before bar 1, so that A-ma-zing lands on F, A and F once the bar line has gone by.

Everything before bar 8 is a climb, and the high C that arrives there and stays for three bars is the top of the piece. Give it a little more weight than its neighbors, and then let the last phrase fall away from it the way the words do. On a first day the notes all come out at one volume. Sing the phrase once, then play it to match what you sang. The voice already knows the shape; it only needs telling the hands.

The left hand has one job, and it does it in every bar: a low note on the first beat, the fifth above it, then a longer note on top, three notes that add up to a chord.

It is the same movement fifteen times with the hand starting on a different key, which is the kind of repetition a hand learns without being asked. Play it by itself until it runs on its own. Then bring the melody in and keep the left hand softer than seems reasonable; the first time it draws level with the tune, the warmth goes out of the piece, and you will hear that before you can say why.

Three beats to the bar, and Chordzy sets it at 90 of them a minute, which is a walk and not a march. Rushing makes it anxious. Dragging makes it heavy, and a heavy Amazing Grace is a long three minutes.

Nearly every bar has the same shape, a half note on beat 1 and a quarter note on beat 3, long-short, long-short, the swing of someone walking with a stick. Count one two three quietly, or tap a foot on the one only. If the third beat keeps arriving early, you are walking faster than you think; most people are.

The sheet says Ped. simile: pedal as in the first bar, all the way through. The pedal is there to gather the three left-hand notes into one chord, since the hand plays them one after another and a chord is what the ear wants. It is not there to cover uneven playing, and it will not.

Change it when the chord changes, once a bar in this arrangement. If the F chord is still ringing into the B flat bar, you lifted late. Lift sooner, and the sound comes clean first and warm second, which is the right order.

This is a good piece for reading chord shapes rather than single notes. The left hand spells four chords, F, B flat, D minor and C, and each is the same shape moved to a new bottom note: low note, fifth, octave. Once the eye has seen the shape it stops reading three notes and reads one. The melody moves by step or by a third, and its one real leap, up to the high C, arrives at the start of the third phrase like the roof coming off.

Playing the sheet music online makes that reading quicker: loop one phrase, slow it down, and read the same shape until it is recognized rather than worked out. Recognition is what fluent readers have and beginners assume is talent.

Simple music exposes habits. If you are on autopilot, seventeen bars of half notes will say so to anyone in the room.

Add small changes: a little more on the high C, a little less at the end of each phrase, the long notes held their full two beats rather than the beat and a half they get when the mind wanders. None of that is difficult. It is the difference between a basic arrangement and music, and it costs nothing.

Then play it once very softly and once with a full tone. The amount of control you already have is a surprise every time, and this piece is where most people first find it.

Repetition without attention is where robotic playing comes from, and a hymn played twenty times in a row is where attention goes to die. Practice one four-bar phrase at a time, and listen to each repeat as if it were the first.

Chordzy keeps the attention switched on: you play from the sheet music in your browser or in the app, and every note is marked the moment it lands, and marked wrong if it was. Click the sheet music to start, no account required.

Amazing Grace stays with people because it is honest. Five notes, four chords, no tricks, and a tune that has been sung for two centuries without anyone managing to improve it.

When your playing sounds calm, the balance holds and the melody carries over the chords, you are doing it right. Click the sheet music when you are ready, and Chordzy will help turn a tune you have always known into one you can play for someone.